ClientKarlos Gil, Dos de Mayo Contemporary Art Center
RoleAll Aspects, as part of a two-person team
Year completed 2023
Type Short film
Area Contemporary Art
LocationMadrid (ES)
I was approached by Spanish artist Karlos Gil to make CG recreations of ctenophores, marine creatures known for their unusual features, especially their luminescent properties. These videos were included in the generative film "Peripheral", part of his exhibition "Timefall", at Ca2M. This marked the largest exhibition of his work to date. The exhibition was curated by Peio Aguirre, curator of the Spanish Pavillion at the 2019 Venice Biennale.
The film is displayed in close dialogue with Karlos´ "De-extinction" sculptures, which are made from derelict and found neon signs. An artificial character was pivotal for the film, as evidenced by the references that composed the foundation for the visual identity. We sought an intersection between a scientific replica and a stylized, science-fiction creature, reaching a point where reality meets fiction.
Given the very specific nature of their skin, these creatures posed a challenge to manufacture. To guarantee a high level of fidelity, and to understand their body volume (formed by several overlapping, translucid skin layers) small size clay sculptures of various ctenophores were modeled in the early stages. The second main challenge was the animation of the cilia, comb-like protuberances that grant ctenophores their movement and are also responsible for their luminescence. For this, I developed a physically accurate simulation using hair dynamics for the movement, and a custom specular behavior for their surface.
Each shot was based on extracts of publicly available live-action footage of ctenophores. We accurately replicated their movement and light interactions, stylizing them to fit into the aesthetic of the film. We brought references from hobbyist divers, documentaries, zoos...
Ctenophores can move using several rows of mobile appendixes called cilia. They also give them their name for their resemblance to a comb and grant them their luminescence. For their animation, I created a procedural hair simulation setup, taking scientific illustrations as a reference. To achieve a physically accurate look on the jellies´skin, Snell´s law was used to calculate the refraction values of the skin. Light passes through their body at roughly the same speed as it does through water, giving a refraction number (IOR) of approximately 1. Several articles and papers were consulted to have a clear understanding of their physical attributes.
A specific light setup was also developed for the combs. Each comb lights up when reaching a certain angle and position in relation to the light source, producing an effect similar to bioluminescence.
Installation View at the Ca2M. Image by Roberto Ruiz
CREDITS
Direction: Karlos Gil
Lead CG artist: David Guerrero
Storyboard by Karlos Gil, Juan José de Domingo Murillo & David Guerrero
Concept, visual development, storyboard, modeling, texturing, shading, procedural animation, cameras, lighting, rendering, grading and compositing by David Guerrero
Blocking, model retopology, rigging, body animation and general consulting by Juan José de Domingo Murillo
Special thanks to Justin Ridler
Produced by Centro de Arte dos de Mayo, 2023.
REFERENCES
From left to right, from top to bottom: 1.Chris Cunningham working in "Alien3" (Ridley Scott, 1992) 2.Snells´s law formula was used to calculate the values for the skin shading 3.Energyzoa, an online theory claiming there are jellyfish-like organic UFOs roaming the sky 4.Still from "Microcosmos" (Claude Nuridsany, Marie Perennou, 1996) 5.Active nuclear reactor 6.Still from an UFO encounter video, released by the Pentagon in 2020 7.Illustrations showcased in "Cilia and the life of ctenophores" (Sidney L. Tamm, 2014), used as reference for the ctenophore models 8.Juggernaut ship concept by Steve Burg for "Prometheus" (Ridley Scott, 2012) 9."The Abbey in the Oakwood" (1809-10), by Caspar David Friedrich 10. Neon lights 11."Artemide" lamp by Herzog & de Meuron 12.Bat scene from "Nosferatu the Vampyre"(Werner Herzog, 1979)